After the McCloud manuscript was accepted, I had the option of resuscitating The Imam, and I exercised that option, because I believed in the work, and I dare say that I was also proud of it. I was reluctant to abandon the project, since I had spent much of my youth working on it. It was like a dying companion I hoped to bring back to life. The process of publishing the work, however, was met with many formidable obstacles.The publishers printed their titles in India due to the prohibitive costs of printing in the United States. The printers in India, after eagerly printing Noble McCloud, refused to print The Imam. They feared death threats and bombings should their anonymity be compromised. Also, the liaison to the printers refused to handle the project for the same reasons. I sympathized with their concerns, as I was not about to put anyone’s life in danger for my own artistic objectives, and I never expected anyone affiliated with this project to risk their lives. The novel had. The vast majority of the students were Caucasian. I had not spotted another Asian at that point. I looked very calm as I walked, but inside I was nervous. As a passed by a group of older guys I saw one hit another on his arm and gesture with his head toward me. They didn't say anything as I passed but they had stopped talking and were watching me. I could see in the reflection of the front door that they started talking again in hush and hurried tones and one guy was being shoved at and his friends were telling him to go after me. The guy seemed reluctant. I opened the door and had made about four steps inside when I sensed someone coming up close to me. I stopped and turned to face the person and it was the older boy from outside. He stopped dead and looked at me. He smiled and said “Hey, your new here.” I nodded and said “Yes.” and continued to look at him. After a couple of seconds he held out his hand and said “Hi, I'm Keith.” I shook his hand and said “I'm Yukio. It is nice to.
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